Behind the Scenes: Ad Age Agency Digs

Last week, Advertising Age debuted a new series called Agency Digs, a peek inside advertising agency offices based on guided tour style of MTV Cribs. The very first office featured was the New York office of the agency I work for, Cramer-Krasselt. Check out the video, it’s pretty cool.

Lucky me, part of my job that day was to take some behind the scenes photos of the shoot. Before you ask, yes, Corona Extra and Crocs are clients.

Behind the scenes, Ad Age Agency Digs Behind the scenes, Ad Age Agency Digs

Behind the scenes, Ad Age Agency Digs Behind the scenes, Ad Age Agency Digs

Behind the scenes, Ad Age Agency Digs Behind the scenes, Ad Age Agency Digs

Behind the scenes, Ad Age Agency Digs Behind the scenes, Ad Age Agency Digs

Behind the scenes, Ad Age Agency Digs Behind the scenes, Ad Age Agency Digs

Behind the scenes, Ad Age Agency Digs Behind the scenes, Ad Age Agency Digs

Behind the scenes, Ad Age Agency Digs Behind the scenes, Ad Age Agency Digs

Behind the scenes, Ad Age Agency Digs Behind the scenes, Ad Age Agency Digs

Behind the scenes, Ad Age Agency Digs Behind the scenes, Ad Age Agency Digs

Behind the scenes, Ad Age Agency Digs Behind the scenes, Ad Age Agency Digs

Behind the scenes, Ad Age Agency Digs Behind the scenes, Ad Age Agency Digs

One of my favorite things about our New York office is that employees can bring their dogs to work. A few of the office dogs were there the day of the shoot. Who doesn’t love having pups around to pet and play with?

Behind the scenes, Ad Age Agency Digs Behind the scenes, Ad Age Agency Digs

Behind the scenes, Ad Age Agency Digs Behind the scenes, Ad Age Agency Digs

Behind the scenes, Ad Age Agency Digs Behind the scenes, Ad Age Agency Digs

Behind the scenes, Ad Age Agency Digs Behind the scenes, Ad Age Agency Digs

Behind the scenes, Ad Age Agency Digs Behind the scenes, Ad Age Agency Digs

How To Take Better Portraits

Taking portraits is one of the most fun parts of being a photographer. When you manage to snap a great shot of someone, one that totally captures personality and evokes a feeling, it’s a great way to bond to your subject forever. Capturing just the right image can be a challenge, especially when shooting outdoors. While the environment can be a little more challenging than a controlled light setting, natural light can be your friend when trying to achieve an effortless, natural look.

There are several simple things you can do to take great portraits when you’re shooting outdoors. Follow these eight rules and your portrait taking skills are sure to improve. I’ve included an example illustrating each point so you can see what it looks like in practice.

Mom1. Get in the shade
Trying to position your subject in the shade will help eliminate the need to squint their eyes because of the bright sun, so the face and eyes will be more relaxed and natural. Plus, when you’re shooting in the bright sun, it’s easy to over expose the shot. In the shade, you can shoot with a larger aperture without risking over exposure and will have more uniform light no matter what your subject is wearing and the colors you’re working with in the background.

 

C.C. Chapman2. Know your angles
Pay special attention to the shape of your subject’s face and the way they naturally sit and place their arms. Try to work with a position that comes naturally, but be mindful of some common portrait issues.

Be sure the eye line between you and your subject is natural and doesn’t look uncomfortable. If you are higher than your subject, you will tend to get a flattering face and body angle. Have your subject sit while you stand. You don’t need much height difference, even standing on a higher step or standing up on a bench should be enough.

Have your subject open their shoulders a bit toward you, keep the chin down and be sure their face is positioned to catch the light. Using this angle will also eliminate the “double chin” issue many portrait subjects are uncomfortable with. Many times, it’s all in their mind, but this is a good way to help prevent it.

 

Eric Leslie3. Use light and shadow with purpose
Strategic use of shadows and contrasting light angles can help set the mood of a portrait and make it a little more “artsy.” There’s an element of mystery when shadows are used correctly. Have enough light to tell the story and just enough shadow to leave something to the imagination. During your shoot, play around a little bit with your subject’s angle relative to the light to see what works best for their face.

 

Nate Riggs4. Get the candid moment
Sometimes the best portraits happen when the subject isn’t focused on the photographer. It’s okay to have distractions around and it’s important to be ready with the camera even when your subject isn’t posed and ready. Keep your finger on the shutter and keep the subject in focus. If you see a moment, a look, a special twinkle in the eye, snap the shot. It’s not always about eye contact and smiles.


Jessica Colombo5. Use a reflector
One of the best investments you can make for your photography career is buying a set of reflectors. You can get them pretty inexpensively, a set of 4 colors (white, black, silver and gold) for under $25. Sometimes it will make most sense to shoot your subject with the light at their back, and in that case, having a reflector handy to push light back onto their face will make a huge difference. It will help achieve some sparkle in the eyes even when the main light source is behind your subject’s face.

If you don’t have reflectors handy, you can use something as simple as a piece of white poster board or a white sheet. These won’t work as effectively, but in a bind, with limited supplies they will often do the trick.

If you have someone with you to help assist, it’s easier to adjust the angles as needed. If not, keep some clamps with your camera bag or tripod so you can set up a reflector and still have both hands free for your camera.


David Spinks6. Focus on the eyes
In any portrait situation, your focal point should be right between the eyes. If you need to adjust your camera’s focus points so they’re in the right position in the frame, check out your camera manual for how to make the necessary changes. Don’t worry if you’ve lost it, most can be found in PDF format on the manufacturer’s website.

If you’re shooting with a lens with autofocus, be sure to lock in on the eyes then move the camera to create the framing of your subject you want. If you’re shooting manual focus, it’s a little more tricky. Keep your own eyes locked on your focal point until you’re sure you’ve got it.

If you’re shooting with a zoom lens, try zooming in as close as you can, focusing on the eyes, then zoom out until you’ve got exactly what you’d like in the frame. It can be tough to tell from far away if you’ve got the right focal point. This is a good habit to try to solve that common problem.

 

Erik Proulx7. Check your background
Don’t underestimate the importance of what is behind your subject. Solid or big blocks of color are easy to work with, as are simple geometric shapes like brick walls or steps. If it’s too colorful or contains too many different shapes, it can detract from of the portrait subject. Also think about where your subject is positioned within the frame and how much of the background you want to include to help drive the eye to where you want it.

 

Giggly Andrea8. Make ‘em laugh
If your subject gets too focused on posing or smiles too long, the face can become tense and the smile will start to look a little fake. Be sure to mix it up a bit an keep it fun. Try to make your subject laugh once in a while, and be ready with your camera when you do. That is the time to snap the shutter a few times.

Don’t know how to bring some fun into it? Try being quiet for what seems like an awkward amount of time. Subjects will often laugh to help ease the tension. You might also try simply saying “dont laugh!” in a humorous voice. Somehow, people tend to laugh only once told not to. Be smiling, keep the conversation lighthearted and make it easy for your subject to feel comfortable with your camera in their face. Of course, if you’re close with your subject, feel free to mention some inside jokes or comments you know will bring out a giggle.

 

Your job as a photographer is to really capture your subject’s personality and produce an image they’ll be proud to use as a representation of themselves. What questions do you have? What issues do you face during outdoor shoots that aren’t addressed here?

Springtime Photowalk in New York City

Few things are as lovely as springtime in New York City. I spent a few days in our New York office for work last week and managed to snag about an hour of free time to wander around with my camera. Lucky for me, the trees were in bloom and flowers were starting to pop up in the parks. The office is at 20th and Broadway, a short walk from several great places to snap photos: Union Square Park, Madison Square Park, the Flatiron Building and the interesting architecture in the Flatiron and Fashion Districts.

I decided to stick with the 50mm f/1.4 lens for this short photowalk, to play around a little with depth of field and capture the wonderful spring colors. Of all the lenses I’ve shot with, the 50 seems to bring out the best, brightest colors since it lets in so much light.

Magnolia Trees Madison Square Park, NYC

Broadway Flatiron Building

Magnolias Flatiron District Buildings

NYC Subway Crossing the Street

NYC Taxis

NYC architecture Madison Square Park Fence

Flatiron 5th and Broadway

NYC Subway Spring Flowers

Spring Flowers

SXSW Interactive 2011

I just returned to Chicago after being in Austin for five amazing days for South By Southwest Interactive. Such a great conference, in such a great city. Austin welcomed the gathering of the internet with open arms. You’ll surely read a lot of blog posts about attendees’ takeaways, but here’s a visual look at what SXSW is like (at least through my eyes and lenses).

The Austin Convention Center was the main hub of all the action with several additional venues for presentations and panels. A peek at the venue:

SXSW Panel Crowd SXSW

Austin Convention Center Austin Convention Center Posters

Gary Vaynerchuk and Brian Solis interviewing in the Samsung Blogger Lounge Erik Proulx, SXSW

SXSW TShirt SXSW Trade Show

Flyers The Thank You Economy by Gary Vaynerchuk QR

Future of PR Panel Becky Johns and Ben Smithee, SXSW Panel

 

Downtown Austin was the perfect place for a conference like this. Just large enough for the massive amounts of people to spread out a little bit, but just small enough to make it possible to walk just about everywhere. Restaurants, food trucks bars and sponsored attractions lined the streets. Each day, there was no shortage of parties, throughout the afternoons and late into the night. Some were book launch parties, others thrown by major sponsors, but a lot of the fun happened in random bars along 6th street.

Austin Chevy Camaro

Table Side Guacamole Margarita and Corona

Bikes Downtown Austin Downtown Austin

Holler Roof at Iron Cactus

Cedar Door Tech Set Party Dance Floor Gary Vaynerchuk pencil battles

The walking trail, Lady Bird Lake Charging Mike Schaffer rides the carousel

 

And there are the people. It’s widely agreed that the best part of SXSW is the fact that so many online friends can gather to connect in person. I experienced a sense of not really “needing” social media while I was there, because my internet was all around me. Of course, as a photographer, my friends expected me to be carrying a camera with me wherever I went. Here are some of the awesome people I was able to spend time with during the week. Some old friends, some new, some met in real life for the first time, but all totally awesome people I am thrilled to have spent time with.

Jessica Colombo Ben Smithee Sydney Owen, TequilaNOW Jason Sadler, I Wear Your Shirt

Erik Proulx David Spinks in the Samsung Blogger Lounge

Kaylee Hawkins and Joe Minock Nate Riggs

David Spinks Tim Bograkos, MSU John Hill, MSU He calls himself "chocolate"

Eric Leslie Megan Gebhart and Jessica Colombo

Becky Johns and Gary Vaynerchuk C.C. Chapman, Becky Johns, Scott Stratten

Most shots were taken on my Canon EOS Rebel XTi with the Canon EF 50mm f/1.4 lens.


New Lens: Canon EF 50mm f/1.4 USM

Sunday night during the glorious twilight hour, I went on a photowalk with my friend Josh to test out my new lens. I’ve had my eye on the Canon EF 50mm f1.4 USM Lens (affiliate link) for a while and finally decided to invest. We spent a couple hours walking around downtown Chicago. Thought I’d share the first shots from the new glass.

Love how quick this lens is, could shoot at pretty low ISO for the amount of light and had great control. Great colors, most of these photos needed very little editing in terms of levels or saturation. Love the bokeh out of this thing. I highly recommend this lens if you’re looking for a 50mm. And, it’s absolutely worth the extra money over Canon’s 50mm f/1.8.

More photos from this photowalk here.

Chicago Photowalk

Chicago Photowalk Chicago Photowalk

Chicago Photowalk

Chicago Photowalk Chicago Photowalk

Chicago Photowalk

Chicago Photowalk Chicago Photowalk

Chicago Photowalk

Chicago Photowalk Chicago Photowalk

Chicago Photowalk

Chicago Photowalk Chicago Photowalk